Some people like to stay home on New Year's, but for those who are looking for a fun evening out, the land of Oz does not disappoint. This is Wisconsin, of course, so if you're doing the tavern scene, the Ozaukee Taxi will run for free from 9 p.m. to 4 a.m. anywhere in Oz -- just call 284-TAXI (8294).
Here are the details, by community:
The Roadhouse Bar & Grill kicks off their New Year's party with live music by Cherry Pie at 10 p.m. Party favors, hors d'oeuvres, a champagne toast and more, for just a $20 cover!
Join The Stilt House in Cedarburg as they bring in 2019 and celebrate their 5 year anniversary from 9 p.m. - 1 a.m.! Special barrel tapping of KBS, CBS, and Goose Island Bourbon County. $49.00 for unlimited drink, midnight buffet, and champagne toast. Call the restaurant to reserve your evening in Cedarburg at (262) 618-4889.
Why not end the year with some yoga? The brand new Dirty Feet Yoga studio is having a New Year's Eve Yoga from 6:30-8:30 p.m. Then, join them on New Year's Day from noon - 2 p.m. for their Grand Opening!
Twisted Willow has a special New Year's menu served from 3- 10 p.m. Make your reservations at(262) 268-7600.
The Pasta Shoppe is serving from 4:30 p.m. -9 p.m. New Years Eve, with special entrees. Reservations strongly encouraged: 262.284.9311
Inventors Brewpub will be hosting their 2nd annual family Pajama Party, and it's free and fun for the whole family! Show up with your kids dressed in their PJ's and bring some pillows/blankets in case they crash in the middle of the party. Then enjoy the free snacks, the beer, atmosphere, other families, games, prizes, etc. We'll have early celebrations at 10PM and 11PM as well as free bubbly for the adults and sprite for the kids. From 6 p.m. until midnight.
Newport Shores is serving lunch and dinner specials, along with the regular menu, from 2 p.m.-10 p.m. on New Year's Eve, with specials including South African Gold Water Lobster Tails, Alaskan King Crab Legs, and Prime Rib, and will also be open New Year's Day for the annual Polar Plunge at 2 p.m., which happens just behind the restaurant.
Happy New Year, everyone!
By Mary Boyle
In the world of the Olympics, the US Women's Rowing team is a dynasty: they haven't lost a world championship or a gold medal in over a decade, making them the most dominating sports team in history, despite the fact that the women in the boat change in every competition. Our country has a seemingly endless supply of very talented women rowers, and we owe it all to Title IX — the Education Amendments Act of 1972 that states: "No person in the United States shall, on the basis of sex, be excluded from participation in, be denied the benefits of, or be subjected to discrimination under any education program or activity receiving Federal financial assistance;" that, and a crew of women rowers from Yale who decided to take a stand. It's a legendary story that is still being written, but the time to tell it is now, and the person to tell it is playwright Alice Austen, who specifically chose the First Stage Young Company to stage the World Premiere of Girls in the Boat.
Directed by Milwaukee's Marcella Kearns, Girls in the Boat focuses on that famous team of women from Yale, but spans the entire history of women in rowing, while speaking to the wider subject of equality for women, in general. The characters of the play are composites of many rowers; as such, they are given their position in the boat instead of names: Kayla Salter as Bow, Emily Fedewa as Girl 2, Mary Jensik as Girl 3, Molly Boyle as Girl 4, Ila Koch as Girl 5, Mathilde Prosen-Oldani as Girl 6, Reese Parish as Girl 7, Selma Rivera as Coxswain, Sylvie Arnold as Stroke, Jennie Babisch as Coach/Dad and Kate Lepianka as a male Journalist and Rower.
Acclaimed writer, producer, playwright, and novelist, Alice Austen, happens to live right here in Milwaukee; her grandfather was a rower, and her sons are both First Stage alumni and rowers. When John Maclay, Director of Artistic Development at First Stage, found out one of the student's parents was a playwright, a collaboration developed, and the outcome is an ode to rowing, as well as a timely comment on equality for women. The play is remarkable in that the writer and the entire cast and crew of this production, save the assistant stage manager, are women, including the handful of male characters in the play, and the reason this is remarkable is that it was not intentional
The play, itself, has a lyrical rhythm, like the oars of the rowers, and it is fast-paced, engaging, funny, inspiring, emotional, and powerful. First Stage is known for supporting new works, which is a risk, but this production demonstrates why taking those risks is so important, beyond being an incredible opportunity for the local theatre community. The First Stage Young Company, consisting primarily of High School aged students, has never failed to impress me, and is truly one of the best kept theatre secrets in the area. Watching this play, you are seeing history being made, but I feel that the play, itself, is also history being made, and we are so lucky to be able to witness its beginnings. This is an opportunity you do not want to miss.
Girls in the Boat runs through December 16th at the Milwaukee Youth Arts Center, located at 325 W. Walnut Street in Milwaukee. Tickets are available by calling (414) 267-2961 or online at www.firststage.org.
About First Stage
First Stage is one of the nation’s leading theaters for young people and families. First Stage touches hearts, engages minds and transforms lives by creating extraordinary theater experiences through professional theater productions that inspire, enlighten and entertain. Its Theater Academy, the nation’s largest high-impact theater training program for young people, fosters life skills through stage skills and serves over 2,100 students each year. As Wisconsin’s leader in arts-integrated education in schools, First Stage’s dynamic Theater in Education programs promote literacy, character building and experiential learning throughout the curriculum, serving over 20,000 students each year. First Stage was selected to participate in the Partners in Education program of the John F. Kennedy Center for the Performing Arts (2012), and was the recipient of the Milwaukee Business Journal’sEureka Award, recognizing creativity and innovation in business, education and the arts for its Next Steps program for students on the autism spectrum (2013, 2015). First Stage is a member of TYA/USA, the American Alliance for Theatre and Education, the Wisconsin Alliance for Arts Education, Milwaukee Arts Partners and is a cornerstone member of the United Performing Arts Fund (UPAF).
By Mary Boyle
Wisconsin-based actor, playwright, director, and author, James DeVita, is quite well-known in the theatre community; a core company member and literary manager at American Players Theater in Spring Green, he has been seen on stages all over Wisconsin, and his work has been performed on them, as well. Though his theatre education is what brought him to Wisconsin, DeVita grew up in a large Irish fishing family in North Babylon on Long Island, and it is his family and hometown that has inspired his latest play, Christmas in Babylon.
Terry McShane (Tom Klubertanz) and his wife, Denise (Mary MacDonald Kerr), are typical Babylonians: working-class Irish with enough wit and sarcasm to make up for the lack of money and social graces. A happily married couple, their greatest worry is their twenty something daughter, Abby (Sara Zientek), who just moved back home and can't seem to find her path; well ... that was their greatest worry, until Terry received an email from his ex-fiance, Kathleen O'Rourke (Laura Gray), who he hasn't heard from in over 25 years. Now a successful Life Coach and the author of several self-help books, Kathleen is in town for a speaking engagement and to spend the holidays with her daughter, Kelly (Eva Nimmer), but she also arrives to reveal a secret that will rock the McShane's world.
Reading the description, the play sounds like a drama, and certainly DeVita is known for more serious works and classical theatre, but this play is very much a comedy, and a brilliant one, at that. Working with his friend and longtime collaborator, C. Michael Wright, who is the Producing Artistic Director of Milwaukee Chamber Theatre, as well as the director of the play, the duo have managed to tell a story that is relatable to everyone, that contains sentiments that we all need to hear, and that is actually laugh-out-loud funny from start to finish.
"The thing I love about the piece in particular is that it’s funny, but it also deals with a lot of issues we deal with today, like forgiveness and acceptance, and the fact that we’re all part of a larger family," said Wright.
"In this play," DeVita explained, "Terry’s being challenged to think differently. And he resists it for a long time, or dismisses it, or makes fun of it, or this and that. I think the world today is being challenged to think differently about everything, and it’s a lot for some people; it gets overwhelming. But, if you can allow yourself to think differently about something, you might be able to accept it. It’d be a great world if we could all figure out how to do that. Myself included."
What makes Babylon work is the realness of the characters, who could not have been cast any better. Despite their Long Island accents, you will recognize yourself and people you know in these people; their struggles are our struggles and, because they are so familiar, watching the play feels like reconnecting with old friends; combine that with the intimacy of the Broadway Theatre Center's black box Studio Theatre and incredibly engaging writing, and the time passes quite pleasantly and almost too quickly. When all is said and done, Babylon is not the dramatic redemption of A Christmas Carol, nor the magical fantasy of The Nutcracker, yet it leaves you with a magical redemption; a simple, yet profound, peacefulness, like a quiet winter night by the fire. This is a thoroughly modern holiday tale that has all the wisdom and heart of a classic.
CHRISTMAS IN BABYLON runs Nov. 21 to Dec. 23 at the Broadway Theatre Center’s Studio Theatre, located at 158 N. Broadway in Milwaukee's Historic Third Ward. For tickets, call 414.291.7800 or visit milwaukeechambertheatre.com.
About Milwaukee Chamber Theatre
Milwaukee Chamber Theatre, Milwaukee's third largest non-musical theatre company, has long been recognized as producing first-rate, thought-provoking drama and a major contributor to the rich cultural and economic life of the community. One of the city's oldest, professional theatre companies, MCT was co-founded in 1975 by two local actors, Montgomery Davis and Ruth Schudson, who envisioned a space where audiences could open their minds to new theatrical ideas and Milwaukee's theatre professionals could broaden their skills and apply their craft. C. Michael Wright, a local director and actor, was appointed as the company's second artistic director in September of 2005 and, under his leadership, MCT has produced smaller, more intimate productions that feature emerging local talent, expanding its programming in order to develop new voices, such as the annual Young Playwrights Series and the Montgomery Davis Play Development Series, honoring the company's founding artistic director.
By Mary Boyle
Though it may seem strange to revere a ghost story for Christmas, Charles Dickens' cautionary tale of Ebeneezer Scrooge is a holiday standard that The Milwaukee Repertory Theater has been bringing to the City for over forty years. After a major overhaul the year before last, the production is finding its new rhythm, employing many of the same familiar faces who bring continuity and a feel of tradition, while continuing to make small adjustments, but there's still no other holiday show in Milwaukee that captures the full feeling of Christmas quite as well as A Christmas Carol at the historic Pabst Theater.
There is a slight shuffling of cast members this season, but not many new faces. Most notably, Leda Hoffman takes the role of directing, after having been an Associate Director for three years and an Assistant Director for one, and Milwaukee-favorites James Pickering, who played Scrooge for 12 years, and Mark Corkins return to play Mr. Fezziwig and the Ghost of Marley, respectively. There are several of The Rep's Emerging Professional Residents who make their Carol debuts, including: Sade Ayodele as Alice, Jessica Ma as Ellen, Nima Rakhshanifar as Belle's husband, Hannah Shay as Nanny, and Justin Jones, Isabella Reeder, and Michael Wu rounding out the ensemble. Blake Dava makes his Carol debut as Dick Wilkins and the Ghost of Christmas Future.
Returning this season are Milwaukee favorites Jonathan Wainwright as Charles Dickens and Ebeneezer Scrooge, Todd Denning as Ghost of Christmas Present, Angela Iannone as Mrs. Fezziwig and more, Rana Roman as Mrs. Cratchit, and Deborah Staples as the Ghost of Christmas Past. Reese Madigan returns as Bob Cratchit and Christopher Peltier returns as Young Scrooge.
Young performers Gabe Smith and Jack Trettin reprise their roles as Teen Scrooge and Boy Scrooge, while Teddy Anagnostopoulos, Ashley Bock, and Claire Zempel return for their 4th year in different roles. Baylee Bates, Jakobie Jackson, Zachary Church, and Ethan Sprague all return to the Carol, and Coco Archuleta, Phinlee Clarkin, Priyanka Guptasarma, Elliot Oquist, Isabel Bastardo, Brooklyn Bates, Cody Sims, Casey Westphal, and Eliel Pozos-Lopez as Tiny Tim make their Christmas Carol debut.
Casting some of the area's very best talent pretty much ensures that this holiday tradition remains a holiday tradition (those Milwaukee favorites are favorites for a reason!). Angela Iannone and Jonathan Wainwright, in particular, just knock my socks off every year, and having James Pickering this season is a special treat. The set design by Todd Edward Ivins, which was newly unveiled in 2016, continues to amaze, and especially magical are the times during the show when it snows on the audience. There are still a few moments of "audience participation" that I do not care for, and parents of young and/or sensitive children should take note that the ghosts coming and going are loud, bright, and scary (unnecessarily so, as far as I'm concerned); still, A Christmas Carol at the Pabst has become a part of my holiday tradition, and I wouldn't want to miss it.
A Christmas Carol runs through December 24th at the Historic Pabst Theater, located at 144 E. Wells St. in downtown Milwaukee. Tickets can be purchased by calling (414) 224-9490, in-person at the Box Office at 108 E. Wells, or online at www.MilwaukeeRep.com.
This year the A Christmas Carol Families Program, which raises funds for underprivileged families during the holiday season through audience donations at every performance of A Christmas Carol, will benefit families connected with Safe & Sound, one of The Rep’s Pillar Partners. Safe & Sound’s mission is to unite residents, youth, law enforcement and community resources to build safe and empowered neighborhoods. Rep staff and volunteers will use the collected donations to purchase holiday gifts for these families in need. Any leftover funds are then donated to Safe & Sound for all the excellent work they do in the community. In years past, The Rep has raised over $40,000 annually toward these efforts benefiting such organizations as United Community Center, Boys & Girls Club of Greater Milwaukee, Running Rebels, COA, Big Brothers Big Sisters, La Causa, Journey House, Sojourner Family Peace Center, Next Door Foundation and more.
About Milwaukee Repertory Theater
The Milwaukee Rep is the largest performing arts organization in Wisconsin, in terms of audiences served, and one of the largest professional theaters in the country. Each year, The Rep welcomes up to 275,000 people at nearly 700 performances of 15 productions, ranging from compelling dramas, powerful classics, new plays, and full-scale musicals in its three unique performance venues: the Quadracci Powerhouse, Stiemke Studio, and Stackner Cabaret. Now in its 65th Season, The Rep has gained a national reputation as an incubator of new work, an agent of community change, and a forward-thinking provider of .vital arts education programs. Under the leadership of Artistic Director Mark Clements and Executive Director Chad Bauman, Milwaukee Repertory Theater ignites positive change in the cultural, social, and economic vitality of its community by creating world-class theater experiences that entertain, provoke, and inspire meaningful dialogue among an audience representative of Milwaukee's rich diversity.
By Mary Boyle
In Tandem Theatre Company has developed a reputation for irreverent alternative holiday shows, and this year is no exception. Do the holiday classics make you ill? Are you looking for a grown up night out that doesn't include any solemn holiday spirit? If National Lampoon's Christmas Vacation is more your speed than It's A Wonderful Life, then Merry Chris-Mess is the holiday show for you!
Written by Anthony Wood, of Cudahy Caroler Christmas fame, with additional material by Lee Becker and Sean McKenna, Merry Chris-Mess is one act of silly songs and skits and one act of an It's A Wonderful Life parody called "It's a Life," interspersed with carols rewritten with south side flare by the Cudahy Carolers, including a little gem called, "O Come Let's Do A Fish Fry." Nothing pertaining to Christmas is sacred: there's a dirty Santa, greedy elves, and toy commercials that go horribly wrong, but "It's A Life" is where the show really derails Christmas into the gutter. Zach Thomas Woods is a brilliant Jimmy Stewart as George Bailey, if Jimmy Stewart as George Bailey was a very crass and angry man. Chris Flieller as Mr. Potter is just as crotchety as the Mr. Potter in the classic film, but with a massive flatulence problem. You get the idea.
Directed by Jane Flieller, with music direction by Josh Robinson, Merry Chris-Mess features a very talented cast of 8, including the aforementioned Chris Flieller and Zach Thomas Woods, as well as Sean Duncan, Anna Otto, Liz Shipe, Gage Patterson, Emmitt Morgans, and Jocelyn Ridgely. The Tenth Street Theatre is a really casual, relaxed venue, and audience members can take their drinks in the theatre to enjoy during the show, which adds to the fun, but this is definitely an adult show and not ideal for anyone who is easily offended by bad language or raunchy comedy That being said, as long as you know what you're getting yourself into, you'll likely have a good time and plenty of laughs.
Merry Chris-Mess runs through January 6th at the Tenth Street Theatre, located at 628 N. 10th St. in Milwaukee. Tickets are available by calling the Tenth Street Theatre Box Office at (414) 271-1371 or online at http://www.intandemtheatre.org. Join In Tandem for a special New Year's Eve show, including a champagne toast, reception, and "fireworks."
About In Tandem Theatre
In Tandem Theatre, a 501(c)3 nonprofit theatre located in Milwaukee, was founded in 1998 by Chris and Jane Flieller with the commitment to produce exciting, innovative and professional live theatre by presenting creative and eclectic programming that enlightens, inspires, provokes, and entertains a diverse audience in an intimate atmosphere. Its name, In Tandem Theatre, reflects the connection between audience and actor, the audience and the written word – an intimate experience obtained when live audiences are engaged in strong storytelling. In Tandem Theatre is committed to creating innovative, exciting live theatre designed to inspire, enlighten, provoke and entertain a diverse audience through comedy, drama, musicals, classics and new works.