By Mary Boyle I have a secret to admit: I have never seen an entire episode of Nickelodeon’s long-running and popular animated series SpongeBob SquarePants by Stephen Hillenberg, which first aired in 1999. Nonetheless, I was well aware, thanks to the catchy theme song, that the character lives in a pineapple under the sea, works as a fry cook at the Krusty Krab restaurant, and has a pet snail named Gary and a best friend who is a starfish named Patrick. The truth is, you really don’t even need to know that much to enjoy seeing this cartoon brought to life on the stage, which First Stage has done brilliantly with THE SPONGEBOB MUSICAL FOR YOUNG AUDIENCES. SpongeBob (Gracie Halverson/Thatcher Jacobs) is an incurably optimistic resident of Bikini Bottom who thinks every day is “the best day ever.” When his town is suddenly threatened by the eruption of an underwater volcano called Mount Humongous, the residents look to the Mayor of Bikini Bottom (Lachrisa Grandberry) to solve their problems, but Plankton (Jesse Bhamrah) and Karen the Computer (Bree Beelow) have a plan to use the chaos to get people to their restaurant, The Chum Bucket, in their never-ending feud with their competitor, Mr. Krabs (Zach Thomas Woods), owner of the Krusty Krab. While SpongeBob’s coworker, Squidward (Doug Clemons), plans a fundraising show to help get the community out of Bikini Bottom, SpongeBob and his best friend, Patrick (Gavin Miller/Zach Church), along with their friend Sandy the Squirrel (Natalie Ortega/Naima Gaines), work on another plan to save Bikini Bottom before it’s too late. Directed by Tommy Novak, who was recently seen as Sam the Snowman in Rudolph the Red-Nosed Reindeer The Musical, SpongeBob The Musical features original songs written by well-known artists such as Steven Tyler and Joe Perry of Aerosmith, Sara Bareilles, The Flaming Lips, Cydi Lauper, John Legend, Panic! At The Disco, They Might Be Giants, David Bowie, and more, all directed by Paul Helm. The costumes by Theresa Ham to the scenic design by Kristin Ellert help to make the world of SpongeBob come to life, but it’s the actors who make it so real. Doug Clemons really steals the show as Squidward and Zach Thomas Woods is spot on as Mr. Krabs, but the young performers (who are double cast) are also strong. I saw Gracie Halverson as SpongeBob and Zach Church as Patrick and they were both impressive. I would be remiss if I didn’t mention Lainey Techtmann as Perch Perkins, the news anchor, who was absolutely a delight. While “young audiences” even makes its way into the title of the show, this musical will appeal to all ages, whether you are a rabid fan of SpongeBob or not. Witty, yet heartfelt, with surprising relevance to current events, this production offers a plentiful amount of feel-good-fun for the whole family – don’t miss it! THE SPONGEBOB MUSICAL FOR YOUNG AUDIENCES runs through April 2, 2023, at the Marcus Center’s Todd Wehr Theater, located at 929 N. Water Street in downtown Milwaukee. Tickets start at $32 and can be purchased in person at the Marcus Center Box Office at 929 N. Water Street, by phone at (414) 273-7206, or online at firststage.org. Performance runtime is approximately 75 minutes plus intermission. Suggested for families with young people ages 6+. Special events for THE SPONGEBOB MUSICAL FOR YOUNG AUDIENCES Pay What You Choose Performance: Friday, March 10, 2023 at 7:00 p.m. Pay What You Choose tickets are available on a first come, first served basis with a minimum suggested donation of $5 per person. Doors open at 6:00 p.m. on the day of the performance. Patrons are encouraged to arrive early. Tickets may also be reserved in advance by phone at (414) 267-2961, weekdays 9 a.m. – 4 p.m. For more information, please visit: firststage.org/events-tickets/tickets-offers/pay-what-you-choose/ Sensory Friendly Performance: Saturday, March 18, 2023 at 3:30 p.m. A Sensory Friendly Performance with accommodations for families with children on the autism spectrum will take place on Saturday, March 18, 2023 at 3:30 p.m. Sensory accommodations include a quiet area staffed by an experienced educator, lower sound, house lights up and more. Tickets for Sensory Friendly Performances are $10. Order online or by phone at (414) 267-2961, weekdays 9 a.m. – 4 p.m. to reserve tickets. To learn more visit: firststage.org/plan-your-visit/sensory-friendly-performances/. ASL Interpreted Performance: Sunday, April 2, 2023 at 3:30 p.m. This performance will be sign language interpreted for patrons who are deaf or hard of hearing. Assistive listening devices are also available at the Todd Wehr Theater. To learn more, please visit: firststage.org/plan-your-visit/accessibility/sign-language-interpreted-performances/ About First Stage Founded in 1987, First Stage is one of the nation’s leading theaters for young people and families, and a driving force behind the creation of the best and most innovative plays for family audiences, theater training programs for young people and education initiatives for its schools and community. First Stage ensures that all programming is not only accessible to its community but that it is reflective of the community it serves. First Stage produces plays that honor the young person’s point of view, include diverse and traditionally underrepresented voices and inspire meaningful conversations. First Stage has presented more than 70 world premiere productions that address important subject matters relevant to today’s youth. The Theater Academy is one of the nation’s largest high-impact theater training programs for young people (3-18 years old). Through a challenging curriculum taught by professional teaching artists, the Academy nurtures life skills through stage skills and includes the Next Steps Program that tailors Theater Academy classes to the needs of young people on the autism spectrum and with other developmental disabilities. As Wisconsin’s leader in arts-integrated education in schools, First Stage’s dynamic Theater in Education Programs cleverly blend theater activities with standard curriculum – allowing more than 10,000 students annually to learn traditional academic subjects through creativity and self-expression. First Stage is a member of TYA/USA, the American Alliance for Theatre and Education, the Wisconsin Alliance for Arts Education, Milwaukee Arts Partners and is a cornerstone member of the United Performing Arts Fund (UPAF). firststage.org
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By Mary Boyle First Stage in Milwaukee has been a leader in theatre for young children across the country but, locally, they have worked hard to make sure Milwaukee's diverse community is represented on the stage. Alvaro Saar Rios, who is a Playwright in Residence at First Stage and teaches playwrighting at UWM, has been the key to representing Mexican culture through plays with his award-winning LUCHADORA!, UNMUTED, and the World Premier play ON THE WINGS OF MARIPOSA from the 2019-20 season. This season, Rios returns with a play for very young children built off of a picture book written by Matt de la Peña, the New York Times bestselling, Newbery Medal-winning author of six picture books, including Milo Imagines the World and Last Stop on Market Street, called CARMELA FULL OF WISHES. The really great thing about this story is that it looks as the issue of immigration from the perspective of a young child: the child of an immigrant. Carmela is celebrating her 7th birthday, which means she is old enough to accompany her reluctant older brother to the laundromat. On the way, she discovers a dandelion puff and learns that she can make a wish on it but, with so many good things to wish for, how will Carmela choose? Before making a wish, she imagines each possibility, which then comes to life on the stage. Should she wish for a soft bed for her hardworking Mami, or the return of her Papi who, because he was an undocumented immigrant, was sent back to Mexico. Perhaps she could wish for her older brother to be nice to her or, maybe, a vending machine that would give her any treat she wants! Throughout Carmella's journey, we see the challenges her mother, brother, and her are facing because of the absence of her father. First Stage favorite Karen Estrada is the guiding force of this production as Mami and other characters, with brief appearances by Parker Munoz as Papi and Senor Lopez. The young performers are double cast. The Nieves Cast includes Isabel Scardino as Carmela, Stephanie Santoyo-Bustos as Paleta Lady, Helen Paloma Marotta as Flower Girl, Thomas Bastardo as Big Brother, and Marko Van Slyke as Anatoli. The Paletas Cast includes Isabella Dixon-Ruiz as Carmela, Tiana Dixon-Ruiz as Paleta Lady; Marilyn De La O as Flower Girl, and Steven Cuevas Ruiz as Big Brother, and Aria Domena as Anatoli. Directed by Michelle Lopez-Rios, wife of Alvaro and co-founder with him of The Royal Mexican Players, Carmela is a sweet show that will be best appreciated by families with children between the ages of 3 and 10. While I truly appreciate the topic and representation, I do wish the story, itself, was told better; nonetheless, there is a good bit of magic at the end that will delight audience members of all ages and, with any luck, help to turn the wishes of many children like Carmela into a reality. CARMELA FULL OF WISHES runs through February 12th at the Todd Wehr Theater, located at 121 E. State Street in downtown Milwaukee (behind the Marcus Center for Performing Arts). Tickets may be purchased at firststage.org or through the Marcus Center Box Office, in person at 929 N. Water Street in downtown Milwaukee or by phone (414) 273-7206 or toll free at (888) 612-3500. The number for TDD (for deaf and hard of hearing patrons) is (414) 273-3080. Sensory Friendly Performance: Saturday, February 4, 2023 at 3:30 p.m. A Sensory Friendly Performance with accommodations for families with children on the autism spectrum will take place on Saturday, February 4, 2023 at 3:30 p.m. Sensory accommodations include a quiet area staffed by an experienced educator, lower sound, house lights up and more. Tickets for Sensory Friendly Performances are $10. Order online or by phone at (414) 267-2961, weekdays 9 a.m. – 4 p.m. to reserve tickets. To learn more visit: firststage.org/plan-your-visit/sensory-friendly-performances/. ASL Interpreted Performance: Sunday, February 5, 2023 at 3:30 p.m. This performance will be sign language interpreted for patrons who are deaf or hard of hearing. Assistive listening devices are also available at the Todd Wehr Theater. To learn more, please visit: firststage.org/plan-your-visit/accessibility/sign-language-interpreted-performances/ About First Stage Founded in 1987, First Stage is one of the nation’s leading theaters for young people and families, and a driving force behind the creation of the best and most innovative plays for family audiences, theater training programs for young people and education initiatives for its schools and community. First Stage ensures that all programming is not only accessible to its community but that it is reflective of the community it serves. First Stage produces plays that honor the young person’s point of view, include diverse and traditionally underrepresented voices and inspire meaningful conversations. First Stage has presented more than 70 world premiere productions that address important subject matters relevant to today’s youth. The Theater Academy is one of the nation’s largest high-impact theater training programs for young people (3-18 years old). Through a challenging curriculum taught by professional teaching artists, the Academy nurtures life skills through stage skills and includes the Next Steps Program that tailors Theater Academy classes to the needs of young people on the autism spectrum and with other developmental disabilities. As Wisconsin’s leader in arts-integrated education in schools, First Stage’s dynamic Theater in Education Programs cleverly blend theater activities with standard curriculum – allowing more than 10,000 students annually to learn traditional academic subjects through creativity and self-expression. First Stage is a member of TYA/USA, the American Alliance for Theatre and Education, the Wisconsin Alliance for Arts Education, Milwaukee Arts Partners and is a cornerstone member of the United Performing Arts Fund (UPAF). By Mary Boyle I was born in 1974, which means I grew up watching A Charlie Brown Christmas, Emmet Otter's Jugband Christmas, How the Grinch Stole Christmas, and the series of stop motion animated television specials by by Rankin/Bass Productions from the 1960's, which included Santa Claus is Comin' to Town, The Little Drummer Boy and, of course, Rudolph the Red-Nosed Reindeer, along with the traditionally animated Frosty the Snowman. I can still remember the anticipation of the yearly event of these television specials, which traditionally took place on a Wednesday night, and when I had children of my own, I made sure these shows became a part of their Christmas tradition, too. Back in 2012, First Stage brought a part of my childhood to life with the World Premiere of RUDOLPH THE RED-NOSED REINDEER: THE MUSICAL and now its back, again, for the 2022 season! Even if you haven’t seen the original television special, the music of Rudolph went on to become a mainstay of the Christmas music repertoire in our country. I had always thought the song about Rudolph came from the cartoon, but in fact it was the opposite: the original animated television special was based on the song, which was written in 1949 by Johnny Marks (based on the poem written by his brother-in-law in 1939), who also wrote the other music for the special, as well as music and lyrics for a number of other Christmas classics. The great Burl Ives, who was the voice of Sam the Snowman (a character made for him and based on him), became an icon of the Christmas Music catalogue because of the television special, with songs such as “Silver and Gold,” “Have a Holly Jolly Christmas,” and his version of “Rudolph the Red-Nosed Reindeer.” And, if you know the song about Rudolph, then you already know most of the story about this most famous of reindeer; however, the animated special filled in a few more details. Narrated by Sam the Snowman (Tommy Novak), Rudolph (double cast as Liam Eddy/Lucia Harris), as we all know, was born with a bright and glowing red nose, to the dismay of his father, who is none other than Donner (James Carrington), one of Santa’s original sleigh team. As Rudolph grows, his father tries to help him by covering up his “nonconformity” but, in the end, Rudolph is found out and ostracized by Santa (David Flores) and his reindeer community, except for his mother (Ashley Oviedo) and Clarice (double cast as Emily Honigman/Lauren DeGroot), a doe who thinks his red nose is cute. Unfortunately, her father, Dasher (Rick Pendzich), doesn’t want his doe hanging out with a red-nosed reindeer. Meanwhile, in Christmastown, an elf named Hermey (double cast as Layton Lal/Abram Nelson), who would much rather be a dentist than be an elf, is threatened with being fired by the Boss Elf (J.T. Backes) if he doesn’t get back to work making toys. These two misfits meet and decide to run away together, despite the danger of the Abominable Snowman of the North (Tim Linn). On their journey, they meet Yukon Cornelius (Rick Pendzich), a miner searching for silver and gold, and stumble upon the Island of Misfit Toys. A timeless story about acceptance, there’s a reason the original special went on to become the second longest continually running Christmas TV special in the USA. The amazing thing about the First Stage production, which is being produced for the 4th time since its World Premier, is how true it is to the original. The incredible scenic, puppet and costume design by Brandon Kirkham is truly as if the special was brought to life, but then the cast takes it a step further: most of the actors sound remarkably like the original voice actors (who, incidentally, were all Canadian, except for Ives). Rick Pendzich is a ringer for Coach Comet and hysterical as Yukon Cornelius, David Flores and Karen Estrada are perfect as Mr. & Mrs. Claus, Tommy Novak does a fine job as Sam the Snowman, but my personal favorite is J.T. Backes as the Boss Elf and Charlie in the Box – it’s like listening to the original! The Young Performers are double cast; I saw the Silver Cast and Layton Lal, Liam Eddy and Emily Honigman did a phenomenal job as Hermey, Rudolph, and Clarice, respectively. Donner isn’t really a remarkable character in the animated special, but I would be remiss if I didn’t add that James Carrington brought his usual charm and humor to the role and made Donner stand out. Directed by Jeff Frank, with music direction by Raven Dockery and choreography by Ami Majeskie, RUDOLPH THE RED-NOSED REINDEER: THE MUSICAL is the perfect holiday show for young children and their families. Tickets may be purchased at firststage.org or through the Marcus Center Box Office, in person at 929 N. Water Street in downtown Milwaukee or by phone (414) 273-7206 or toll free at (888) 612-3500. The number for TDD (for deaf and hard of hearing patrons) is (414) 273-3080. Special events for RUDOLPH THE RED-NOSED REINDEER: THE MUSICAL Sensory Friendly Performance: Saturday, December 10, 2022 at 3:30 p.m. A Sensory Friendly Performance with accommodations for families with children on the autism spectrum will take place on Saturday, December 10 at 3:30 p.m. Sensory accommodations include a quiet area staffed by an experienced educator, lower sound, house lights up and more. Tickets for Sensory Friendly Performances are $10. Order online or by phone at (414) 267-2961, weekdays 9 a.m. – 4 p.m. to reserve tickets. To learn more visit: firststage.org/plan-your-visit/sensory-friendly-performances/. Grandparent Holiday Brunch: Sunday, December 11 before the 1:00 p.m. performance of RUDOLPH THE RED-NOSED REINDEER: THE MUSICAL Gather the entire family and join First Stage for a festive holiday brunch before the 1 p.m. performance of RUDOLPH THE RED-NOSED REINDEER: THE MUSICAL on Sunday, December 11, 2022. The brunch will be held at the Marcus Performing Arts Center in the Bradley Pavilion located at 929 N. Water Street. Registration is from 11:00 a.m. – 11:45 a.m. The brunch will begin at 11:30 a.m. Tickets are $65 for adults and $45 for children 12 and under, which includes a delicious pancake breakfast buffet, holiday-themed activities and programing for the kids, plus your ticket to the show! Already have tickets for the show, but want to attend the brunch? Tickets are $50 for adults and $30 for children 12 and under. To learn more or to register, please visit Grandparent Holiday Brunch. ASL Interpreted Performance: Sunday, December 18, 2022 at 3:30 p.m. This performance will be sign language interpreted for patrons who are deaf or hard of hearing. Assistive listening devices are also available at the Todd Wehr Theater. To learn more, please visit: firststage.org/plan-your-visit/accessibility/sign-language-interpreted-performances/ About First Stage Founded in 1987, First Stage is one of the nation’s leading theaters for young people and families, and a driving force behind the creation of the best and most innovative plays for family audiences, theater training programs for young people and education initiatives for its schools and community. First Stage ensures that all programming is not only accessible to its community but that it is reflective of the community it serves. First Stage produces plays that honor the young person’s point of view, include diverse and traditionally underrepresented voices and inspire meaningful conversations. First Stage has presented more than 70 world premiere productions that address important subject matters relevant to today’s youth. The Theater Academy is one of the nation’s largest high-impact theater training programs for young people (3-18 years old). Through a challenging curriculum taught by professional teaching artists, the Academy nurtures life skills through stage skills and includes the Next Steps Program that tailors Theater Academy classes to the needs of young people on the autism spectrum and with other developmental disabilities. As Wisconsin’s leader in arts-integrated education in schools, First Stage’s dynamic Theater in Education Programs cleverly blend theater activities with standard curriculum – allowing more than 10,000 students annually to learn traditional academic subjects through creativity and self-expression. First Stage is a member of TYA/USA, the American Alliance for Theatre and Education, the Wisconsin Alliance for Arts Education, Milwaukee Arts Partners and is a cornerstone member of the United Performing Arts Fund (UPAF). |
Mary BoyleReviewing live theatre in Wisconsin since 2014. Proud member of the American Theatre Critics Association. #OzTheatre
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