By Mary Boyle Victor Hugo couldn't have known when he published his story in 1862 that his book, which is one of the longest ever written, would go on to become one of the greatest novels of the 19th century and then, 123 years after its publication, go on to become a musical that would become one of the longest running musical in the world; however, it was very clear that he had set out from the beginning to change the many injustices he saw in the world. To his Italian publisher he said: I don't know whether it will be read by everyone, but it is meant for everyone. It addresses England as well as Spain, Italy as well as France, Germany as well as Ireland, the republics that harbour slaves as well as empires that have serfs. Social problems go beyond frontiers. Humankind's wounds, those huge sores that litter the world, do not stop at the blue and red lines drawn on maps. Wherever men go in ignorance or despair, wherever women sell themselves for bread, wherever children lack a book to learn from or a warm hearth, Les Misérables knocks at the door and says: 'open up, I am here for you.' While it may seem that something as light and frivolous as a Broadway Musical could not possibly inspire any change in the world, I challenge you to experience LES MISÉRABLES, happening through December 4th at the Marcus Performing Arts Center in downtown Milwaukee, and see if you don't come away from it unmoved. Les Misérables mainly follows the story of a Frenchman named Jean Valjean, who spends a harsh 19 years in prison under the watchful eye of the relentless prison guard, Javert, for stealing a loaf of bread for his sister's starving child. Finally released from prison, Valjean quickly learns that life is impossible when one has been branded a thief, until he is shown mercy and given a shot at redemption by the Bishop of Digne. Valjean reinvents himself as a generous and respected man who runs a factory staffed with poor single women who, without the work, would be destitute. Unfortunately, the factory foreman doesn’t share his employer’s benevolence and takes his vengeance on one of the women workers, Fantine, who wouldn’t stand his advances. Left on the streets with no way to send money to her little daughter, Cossette, Fantine quickly succumbs to the horrors of 19th century France. When Valjean discovers her on the streets, he vows to help her but, unfortunately, Javert has also caught up with him. Escaping Javert again, Valjean rescues Cossette from the abusive family who had been charged with her care, the Thénardiers, and starts a new life in Paris but, not only does his past keep catching up with him, the very conditions that took him to prison in the first place are coming to a boiling point that culminates in the Paris Uprising of 1832. This North American Tour, produced by Cameron Mackintosh in 2009 to commemorate the show’s 25th Anniversary, is the same one that came to Milwaukee in 2018, also through the Broadway at the Marcus Center Season, and continues to enjoy record-breaking runs. The incomparable Nick Cartel and Hayden Tee return to their roles as Valjean and Javert, but nearly all the remainder of the cast is new. Haley Dortch is splendid as Fantine, delivering a tear-jerking “I Dreamed a Dream.” Monsieur and Madame Thénardier, now played by Matt Crowle and Christina Rose Hall (who theatregoers may recall from Skylight’s 2017 production of Sweeny Todd), still managed to delight the audience and steal the show. Christine Heesun Hwang was heartbreaking as Éponine and well matched to Gregory Lee Rodriguez as Marius. Addie Morales’ operatic style did not fit my expectation as Cosette, yet there is no denying that her range is admirable; it worked better in some songs than others. The young performers are always an audience favorite at Les Miz, and while little Cosette (Cora Jane Messer/Hazel Vogel) was perfect on Opening Night, Gavroche (Harrison Fox/Gabriel Lafazan) was unfortunately difficult to understand. The music of Les Misérables, directed by Brian Eads, never fails to awe and inspire – particularly “I Dreamed a Dream,” “On My Own,” “Bring Him Home,” “Do You Hear The People Sing?” “One Day More,” and “Master of the House.” Although the country they’re fighting for justice in isn’t our own, something stirs in your chest when they wave the bright red flag and repeat the chorus, “Can you hear the people sing?” We come back to this story again and again because we recognize the universal truths in it: that we must forgive each other and ourselves and, most importantly, that we must love each other. As Hugo wrote, “To love another person is to see the eyes of God.” Tickets for Cameron Mackintosh’s acclaimed production of Alain Boublil and Claude-Michel Schönberg’s Tony Award-winning musical phenomenon, LES MISÉRABLES, may be purchased at www.MarcusCenter.org, by calling (414) 273-7206, or by visiting the Marcus Center Box Office at 929 North Water Street, Downtown Milwaukee. Single ticket prices start at $40 and are subject to change. LES MISÉRABLES is part of the 2022/2023 Johnson Financial Group Broadway at the Marcus Center Season. Subscribers may choose between a 6 or 7-show packages; the 7-show package includes LES MISÉRABLES. Groups of 10 or more can secure their seats by calling 414-273-7207. More information can be found at www.LesMis.com, the official global website for LES MISÉRABLES. About Marcus Performing Arts Center The Marcus Performing Arts Center (MPAC) serves as a performing arts community gathering space in Southeastern Wisconsin, bringing high-quality arts and cultural programming to the region for over 50years. As a mission-based non-profit organization located in downtown Milwaukee, MPAC strives to act as an energizing force that connects the community to the world through collaboration, innovation, social engagement, and the transformative power of performing arts. Through multiple performance series and community events, MPAC brings a diverse range of performing arts to the region. Presented series include Johnson Financial Group Broadway at the Marcus Center, MPAC Presents, Dance, Jazz, National Geographic LIVE, Rainbow Summer, and additional special performances from internationally renowned artists. MPAC's education, community engagement, and inclusion initiatives provide free experiences that annually engage students and life-long learners in Milwaukee. MPAC is proud to be a dedicated War Memorial facility, honoring those who bravely served our country. For more information, visit www.marcuscenter.org. Johnson Financial Group, with offices in Wisconsin and Minnesota, is a privately owned financial services company offering banking, wealth and insurance solutions through its subsidiaries, Johnson Bank, Johnson Wealth, and Johnson Insurance Services. For more information visit johnsonfinancialgroup.com. Broadway Across America (BAA) is part of the John Gore Organization family of companies, which includes Broadway.com, The Broadway Channel, BroadwayBox.com, Group Sales Box Office and Broadway Brands. Led by 18-time Tony-winning theater producer John Gore (Owner & CEO), BAA is the foremost presenter of first-class touring productions in North America, operating in 48 markets with over 400,000 subscribers. Presentations include Disney’s The Lion King, Wicked, The Book of Mormon and Hamilton. Current and past productions include Ain’t Too Proud, Beautiful, Cats, Chicago, Dear Evan Hansen, Mean Girls, Moulin Rouge! and To Kill A Mockingbird.
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By Mary Boyle Are you looking for the perfect play or concert to brighten your holiday experience? Look no further! Here is a complete listing of offerings, from ballets and live-theatre to concerts, in Ozaukee and the greater Ozaukee area (Milwaukee, Washington and Sheboygan Counties). For specific theatre reviews, keep your eye on www.ozaukeelivinglocal.com/editorofozreviews/! Holiday Theatre November 16-December 11 The Nativity Variations with The Rep Nov. 18-Dec. 31 A Jolly Holiday: Celebrating Disney's Broadway Hits at Skylight Nov. 25-Dec. 24 Rudolph The Red-Nosed Reindeer™: The Musical with First Stage Nov. 25-Dec. 11 Every Christmas Story Ever Told (and Then Some) with Kettle Moraine Playhouse November 26 The Hip Hop Nutcracker at the Marcus Center November 27 Hartford City Band Holiday Concert at the Schauer Center November 29-December 24 A Christmas Carol with The Rep November 30 "A Shining Star" Holiday Pajama Jamboree with Festival City Symphony December 1-4 BEHS presents White Christmas, The Musical at the Wilson Center December 1-18 Elf The Musical at Sunset Playhouse December 2 B2WINS Sounds of the Season at the Schauer Center in Hartford December 2-4 Christmas Carol with the Falls Patio Players December 3-4 The Nutcracker Ballet at the Weil Center in Sheboygan December 2-11 A Christmas Carol with West Bend Theatre Company December 11 Canadian Brass Christmas at the Wilson Center December 2-10 The Best Christmas Pageant Ever with Sheboygan Theatre Company December 3-5 A Christmas Carol with West Bend Theatre Company December 6 Tenors MKE Holiday Concert at Sunset Playhouse December 7-11 Festive Folk Cabaret at Sunset Playhouse December 8-11 MSO Holiday Pops Concert December 9-11 A Christmas Carol with Cedarburg Children's Theater* December 9-11 A Kodachrome Christmas Starring John McGivern at the CPAC* December 9-12 Another Night Before Christmas at the Kettle Moraine Playhouse December 9-18 Another Night Before Christmas at Memories Dinner Theater* December 15 MSO Holiday Concert at the Cedarburg Performing Arts Center (CPAC)* December 16 MSO Holiday Concert at the Wilson Center December 16-18 MSO presents Handel's Messiah December 17 OzaukeChorus presents Christmas Memories at the GHS Auditorium December 17 Cherish the Ladies Celtic Christmas at the CPAC* December 17 Marie Osmond - A Symphonic Christmas at the Weil Center December 17 MSO Film with Orchestra: The Snowman December 18 Christmas at Holy Hill with the Lakeshore Symphonic Band December 10-24 The Nutcracker with The Milwaukee Ballet By Mary Boyle The music of the 1960's is a fascinating cultural study. In the beginning of the era, there's the innocent and happy doo wop that carried over from America’s Golden Age in the 1950's; but then, with each of the decade’s tragedies – the assassination of JFK in 1963, the war in Vietnam, the assassination of Martin Luther King Jr. – the music, begins to change and mature, along with a generation of people. One thing is for sure: it is an era when women really began to make their mark on the music scene, from The Angels and The Supremes to Dusty Springfield and Janis Joplin, and this is the theme of the Milwaukee Repertory Theater’s latest production at the Stackner Cabaret: BEEHIVE: THE 60s MUSICAL. Created by Larry Gallagher and directed by Laura Braza, The Rep’s Associate Artistic Director, Beehive includes a cast of six young ladies who reflect on their formative years in the 1960’s and the music of women that highlighted the soundtrack of their youth, while performing it from a vintage music studio. Two members of the cast are local actors returning to The Rep: Jackey Boelkow as Alison, who was recently a swing in Titanic The Musical, and Jamie Mercado as Wanda, who appeared most recently in Dad’s Season Tickets at the Stackner. The remainder of the cast includes Sarah Lynn Marion as Laura, Tess Marshall as Pattie, Desireé Tolodziecki as Jasmine, and Amaya White as Gina. This production is, for people who lived through the era, a lovely walk down memory lane, but every song, except for a couple created for the show, was familiar to this Gen Xer. The trouble with the production is the tendency to compare the songs to the originals and, while the cast is quite talented, there are few who can really do Diana Ross or Tina Turner justice, particularly when there is no live band performing with them. That being said, Sarah Lynn Marion may have sung Janis Joplin’s songs better than Janis Joplin did, and her Grace Slick was every bit as impressive as the real deal. For those who remember where they were on Friday, November 22, 1963, the performance of “Abraham, Martin, and John” may bring a momentary tear to the eye but, in all, Beehive is a perfectly fun way to spend an evening enjoying the food, drinks, and desserts at the Stackner – I dare you not to sing along! BEEHIVE: THE 60s MUSICAL runs through January 15th at the Stackner Cabaret, located within the Patty and Jay Baker Theater Complex, at 108 E. Wells Street in downtown Milwaukee. Tickets may be purchased online at www.MilwaukeeRep.com, by calling the Ticket Office at 414-224-9490, or in-person at the Theater Complex. Group tickets are available for parties 10+ by calling 414-290-5340. About Milwaukee Repertory Theater Milwaukee Rep is the largest performing arts organization in Wisconsin with three unique performance venues in the Patty & Jay Baker Theater Complex– the Quadracci Powerhouse, Stiemke Studio and Stackner Cabaret. For over six decades, Milwaukee Rep has been a centerpiece of Milwaukee’s vibrant arts and cultural scene with productions ranging from Broadway musicals to Shakespeare to American Classics and New Works that are entertaining, inclusive, and impactful. Under the leadership of Artistic Director Mark Clements and Executive Director Chad Bauman, Milwaukee Repertory Theater ignites positive change in the cultural, social, and economic vitality of its community by creating world-class theater experiences that entertain, provoke, and inspire meaningful dialogue among an audience representative of Milwaukee’s rich diversity. |
Mary BoyleReviewing live theatre in Wisconsin since 2014. Proud member of the American Theatre Critics Association. #OzTheatre
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